Fela Aníkúlápó Kuti (born Olufela Olusegun Oludotun Ransome-Kuti; 15 October 1938 – 2 August 1997), also known as Abami Eda, was a Nigerian multi-instrumentalist, bandleader, composer, political activist, and Pan-Africanist. He is regarded as the pioneer of Afrobeat, an African music genre that combines traditional Yoruba percussion and vocal styles with American funk and jazz. At the height of his popularity, he was referred to as one of Africa&#039;s most &quot;challenging and charismatic music performers&quot;. AllMusic described him as a musical and sociopolitical voice of international significance. <br>Kuti was the son of a Nigerian women&#039;s rights activist, Funmilayo Ransome-Kuti. After early experiences abroad, he and his band Africa 70 (featuring drummer Tony Allen) shot to stardom in Nigeria during the 1970s, during which he was an outspoken critic and target of Nigeria&#039;s military juntas. In 1970, he founded the Kalakuta Republic commune, which declared itself independent from military rule. The commune was destroyed in a 1978 raid. He was jailed by the government of Muhammadu Buhari in 1984, but released after 20 months. He continued to record and perform through the 1980s and 1990s. Since his death in 1997, reissues and compilations of his music have been overseen by his son, Femi Kuti. <br>Olufela Olusegun Oludotun Ransome-Kuti was born into the Ransome-Kuti family, an upper-middle-class Nigerian family, on 15 October 1938 in Abeokuta (the modern-day capital of Ogun State[ , which at the time was a city in the British Colony of Nigeria. His mother, Chief Funmilayo Ransome-Kuti, was an anti-colonial feminist, and his father, Reverend Israel Oludotun Ransome-Kuti, was an Anglican minister, school principal, and the first president of the Nigeria Union of Teachers. His brothers Beko Ransome-Kuti and Olikoye Ransome-Kuti, both medical doctors, were well known nationally. Kuti was a first cousin once removed to the writer and Nobel laureate Wole Soyinka, the first black African to win the Nobel Prize for Literature, as they are both descendants of Josiah Ransome-Kuti, who is Kuti&#039;s paternal grandfather and Soyinka&#039;s maternal great-grandfather. <br>Kuti attended Abeokuta Grammar School. In 1958, he was sent to London to study medicine but decided to study music instead at the Trinity College of Music, with the trumpet being his preferred instrument.[4] While there, he formed the band Koola Lobitos and played a fusion of jazz and highlife. In 1960, Kuti married his first wife, Remilekun (Remi) Taylor, with whom he had three children (Femi, Yeni, and Sola). In 1963, Kuti moved back to the newly independent Federation of Nigeria, re-formed Koola Lobitos, and trained as a radio producer for the Nigerian Broadcasting Corporation. He played for some time with Victor Olaiya and his All-Stars. <br>In 1967, Kuti travelled to Ghana looking for a new musical direction. He called his style Afrobeat, a combination of highlife, funk, jazz, salsa, calypso, and traditional Yoruba music. In 1969, Kuti took the band to the United States and spent ten months in Los Angeles. While there, he discovered the Black Power movement through Sandra Smith (now known as Sandra Izsadore or Sandra Akanke Isidore), a partisan of the Black Panther Party. This experience heavily influenced his music and political views. He renamed the band Nigeria 70. Soon after, the Immigration and Naturalization Service was tipped off by a promoter that Kuti and his band were in the US without work permits. The band performed a quick recording session in Los Angeles that would later be released as The &#039;69 Los Angeles Sessions.